Thursday, 13 February 2014

Experimental Film - Despair


DESPAIR 




Duration: 00:05:12

After studying photography throughout GCSE and A Level I felt the best way to approach this new medium would be to expand upon a previous photography shoot. For me, experimental film was the best starting point, as it is that closest thing to photography when coming to moving image, as it uses a range of visual arts and techniques. I chose a shoot I was passionate about, which has a good narrative to develop into a short film.
I became very interested in video artists, such as Pipilotti Rist, while studying photography. This helped me when thinking about vantage points and composition. My photography background enabled me to consider visual elements and processes during the filming, I have an understanding of what vantage points work and what should be in frame.
Severe depression can lead to symptoms of psychosis. I wanted to show the hysteria of the mind in the depressed person, and their lack of concentration/confusion of thought. I thought this would fit nicely as experimental film doesn’t tend to have a linear story line. Therefore the flicking between scenes exaggerates the state of the subjects mind.
I used clips of the eye and mouth throughout my film as they often contradict each other. The mouth has the ability to lie whereas, in contrast, the eyes do not. True emotions are reflected in the eyes. I also used water throughout the film to communicate both human emotion, turmoil and the importance of water in life. I thought that this would work well with the despair of the story, particularly the ending.
The film starts and ended with the same clip to show how society keeps turning no matter what happens to an individual. A lot of my photography work is based around society’s perceptions and how this affects us.
I deliberately concluded the film abruptly to encourage the audience to think what happens next. This is emphasised by the music also ending suddenly at its peak.
I used Cyberlink PowerDirector 12 to produce this film.
.

No comments:

Post a Comment